Anchor Hocking is one of America’s oldest glass producers, and we are delighted to receive an expansive set of mint-condition artifacts in our available collection. When discovering more about the history and creation of this set, we reached back decades farther into history than usual and found some surprises along the way.

Anchor Hocking, the glassware manufacturer we know today, has a long history. It first came into existence in 1905 when Isaac J. Collins and six friends raised $8,000 to buy the Lancaster Carbon Company in Lancaster, Ohio.

We know that Anchor Hocking did not invent Hobnail glass. We have found that the hobnail style of glass manufacture was originally produced and popularized in the Victorian Era (the Downton Abbey 1830s to about 1900). Most agree that it was developed by an artist at Hobbs Brockunier and Co. in West Virginia in 1886 by first pressing glass into a mold with hobnails all over it and then hand-blowing and shaping the piece. This early form of hobnail glassware was known as Dew Drop Glass. Sometimes the tops of the "dew drops" were made opalescent by reheating the surface of heat-sensitive glass near the furnace, aka "glory hole." It was commonly made into pitchers with matching drinking glasses for elegant ladies' luncheons and picnics. 

Nearly 100 years later, during the great depression, Hocking set out to democratize the dew drop glass style and introduce hobnail to Americans outside of high society. Bright colors like pink, clear with red trim, and some pieces in ruby were providing a sense of luxury and cheer in hard economic times. It was nearly 10 years after they began producing hobnail glass that they began manufacturing their own Moonstone opalescent hobnail glass. This decade was needed for Anchor Hocking to develop a way to mass manufacture that elusive opalescent tipped look. A triumph in American manufacturing, the first pieces of Moonstone arrived in 1942, just after we marked the end of the Depression and the beginning of WW2.

With the war on an upswing, a large majority of American men were drafted to serve, and the remaining workforce was primarily comprised of women. It is not a far stretch to imagine that the hands that worked the glass pressing machines would have been women, quite a different scenario to the pink pieces manufactured just a decade earlier. These pieces are from an era prior to the significant post-war economic and style shift.

The Moonstone pattern, made from hobnail molds, features primarily transparent glass bodies with white opalescent glass highlights on the tips of the hobs and edges of each piece, sometimes reflecting shades of blue or amethyst. It took many forms, from traditional dinnerware pieces like plates and cups to impressive serveware, accessories, and table decor. Several of these pearlescent pieces, especially the tableware, host hyperfeminine ruffled edges, making for a striking display when a place setting is stacked. As was popular in the era, several serving pieces were divided to carry several small treats, and it was common for use with sweet and savory offerings. Large punch bowls were made for social gatherings, and though it was a century after the first hobnails came to be, elegant ladies still used matching pitchers and drinking glasses for luncheons and picnics. This time, though, they were catching daylight on their tables in the twinking opalescent glow of Moonstone. 

Hocking continued production through 1946. A short run, making these particular pieces rare and collectible.